This article examines the concept of "spatiality" in Dr. Muhammad Iqbal's first Urdu poetry collection, Bang-e-Dra. Iqbal’s poetry investigates how time and place influence human psychology and identity, reflecting on how physical spaces—be they natural landscapes, cultural landmarks, or sites of historical or religious significance—shape emotions, thoughts, and behavior. This analysis sheds light on Iqbal’s vision of "place" as an integral part of identity, national pride, and cultural heritage. Space in Iqbal's poetry transcends its role as a mere backdrop, emerging as an active character that affects the narrative and emotions. His verses connect profoundly with places like the Himalayas, symbolizing resilience and cultural roots, and religious sites such as Makkah and Madinah, which represent spiritual unity for the Muslim world. The study explores how spatial references in Iqbal’s work become emblems of national and spiritual identity, shaping intellectual and emotional journeys. Mountains and rivers often symbolize spiritual quests, while urban settings reflect societal issues and the challenges of modern life. Iqbal’s spatial framework invites readers to acknowledge the deep impact of environment on consciousness, transforming space from mere surroundings into a medium for philosophical reflection. Ultimately, Iqbal’s concept of spatiality is both inspirational and symbolic, offering insight into the intrinsic link between individuals and places in his vision of a culturally and spiritually enlightened society.